Sun lifted on the city of Narbonne

The Archbishop Palace in Narbonne

Secret guide of the Narbonne Archbishop Palace: the story hidden behind its walls

The Palais des Archvêques de Narbonne, classified as a historic monument since 1840, represents more than eight centuries of French architectural history. Its majestic keep, built by Archbishop Gilles Aycelin, is 42 meters high and has 162 steps to its top.

Not only does this impressive palace attract more than 104,000 visitors each year, but it also houses the town hall and several museums, including the art and history museum. From the old Palais of Romanesque origin to the new Gothic style palace, the architectural ensemble testifies to a remarkable evolution through the 12th, XIV, XVIIth, XVIII and XIXth centuries.

In this guide, we will explore the secrets hidden behind the walls of this exceptional monument, from its Roman origins to its artistic treasures, passing through its prehistoric and medieval archaeological collections. We will discover together the mysteries and the fascinating history of this architectural jewel of Narbonne.

Summary

    Interior of the Archbishop Palace in Narbonne

    The unknown origins of the Narbonne Archbishop Palace

    At the heart of Narbonne stands a monumental whole which tells the story of the city since Antiquity. The Archbishop Palace did not arise by chance this strategic location - its history begins well before its construction proper.

    From the Roman Capitol to the episcopal residence

    The story of the palace dates back to Roman times, because it was most likely high on the exact location of the Capitol of Narbo Martius. This imposing temple, dedicated to Jupiter, Juno and Minerva, measured 36 x 48 meters - almost twice as large as the famous square house in Nîmes.

    When Narbonne became a Christian metropolis around 270, then knew the apogee of Christianity in the 4th and the 5th century, religious power settled gradually in this symbolic place. The transition between pagan temple and episcopal residence perfectly illustrates the deep cultural change of this period.

    The part of the palace overlooking Jean Jaurès on rue Jean Jaurès is also built on the bases of the old Roman walls. Even more striking, some sculpted stones of the Roman monuments, recovered in haste, were integrated into the foundations of the Gilles Aycelin keep, testifying to a remarkable architectural recycling.

    Initial construction in the 12th century

    It is in the 12th century that the history of the palace really began that we know today. The old palace, of a Romanesque style, was built between the 12th and 13th centuries, creating a medieval atmosphere which still permeates the place. This architectural ensemble is organized around the court of the Madeleine.

    From the outset, the building was designed to reflect a double function: residence for religious dignitaries and defensive fortress. This duality is reflected in its robust architecture and its interior fittings.

    The influence of the first archbishops on architecture

    Successive archbishops each made their contribution to this evolutionary monument. The most emblematic remains Gilles Aycelin, who had the 42 -meter dungeon built between 1295 and 1306. This majestic tower made it possible to monitor the medieval city while affirming religious power in the region.

    Other prelates continued the architectural work: Bernard de Fargues added the bodies of buildings south and was supported on the dungeon, while Pierre de la Jugie undertook the construction of the Synods building, including the Consuls and the Synod room. His successor, Jean Roger, completed the works by having the northern wing dominated by the redeveloped Saint-Martial tower built.

    Thus, Pierre after Pierre, the first archbishops shaped what would become, after the Palais des Papes d'Avignon, the most important construction of the residences occupied by the princes of the church.

    Secret architectural evolution over the centuries

    Over the centuries, the Narbonne archbishop palace has metamorphosed, keeping in it architectural secrets that only an informed eye can detect. A true witness to the evolution of styles and techniques, this monument tells a story of power, innovation and adaptation.

    The Dungeon of Gilles Aycelin: a technical feat of the 14th century

    Erected between 1295 and 1306, the Gilles Aycelin tower was one of the most impressive elements of the Narbonne archbishop palace. This powerful square tower 42 meters in height, crowned with scalable, offers an exceptional panorama of the city. Its structure contains four remarkable rooms, each testifying to a precise function: the hemispherical room with massive foundations, the mysterious so -called treasure room, the king's room reserved for prestigious hosts, and finally the defense room at the top.

    A screw staircase of 162 steps winds inside, connecting these different spaces to the summit platform. This feat of medieval engineering is not only defensive - it also symbolizes the power and the influence of the archbishops on the Narbonne city.

    Reused Roman stones: medieval architectural recycling

    The Archbishop Palace conceals a fascinating secret: many ancient stones are integrated into its structure. Indeed, from the 3rd century, in the face of barbaric incursions, Narbonne dismantled his funeral monuments to build a first defensive rampart. Then, over the centuries, these precious carved stones were again recovered.

    Particularly visible in the foundations of the Gilles Aycelin keep, this architectural recycling testifies to a common practice in the Middle Ages. Moreover, these lapidary elements today constitute invalid historical documents on the social organization of the ancient Narbo Martius.

    Renaissance changes hidden in the structure

    Under François Ier, at the beginning of the 16th century, the Palace experienced a significant transformation reflecting new artistic trends. The most remarkable bas-reliefs were deliberately placed in coronation of the walls, creating a real collection of ancient faithful to the Renaissance spirit.

    This embellishment period also made less visible structural changes. The facades bear witness to this evolution with their Romanesque, Gothic and Renaissance openings that rub shoulders. Thus, the palace became a subtle stylistic mixture where each era left its imprint.

    By carefully observing the walls of the Archbishop Palace, we can therefore read, as in a stone book, the complete architectural history of Narbonne, from Roman antiquity to the classical age.

    The hidden treasures of the old palace

    Cross the door of the old palace and discover exceptional artistic and historical treasures, silent witnesses of eight centuries of Narbonne history.

    The painted ceiling room: symbolism and coded messages

    In the wing of the Madeleine, the large room on the first floor houses one of the oldest painted ceilings in the Christian Western Mediterranean. Dating around 1220 according to dendrochronological studies, this medieval wonder surprises by its antiquity. Probably sponsored by the archbishop Arnaud Amalric, this ceiling is based on 33 beams fixed by long crossing nails.

    The decor is particularly fascinating. The beams wear floral patterns punctuating space, while consoles are adorned with elegant plant winds. Even more remarkable, the closers (board between the beams) have many leaping birds and animals, as well as rare warlike scenes for the time. The pigments used reveal a curious mixture of inexpensive colors and a precious red from Asia, Lac-Laque, offering shine effects.

    The Madeleine chapel and its forgotten frescoes

    This Romanesque chapel, probably built in the 12th century, is the oldest palatal chapel preserved in the south of France after that of the Episcopal Palace of Albi. Its large bay arched in height, decorated with fluted columns and twisted with capitals with acanthus leaves, testifies to an ancient inspiration.

    Inside hides a small oratory of 1.80 m by 1.15 m, housing frescoes from the end of the 13th century made during the episcopate of Pierre de Montbrun (1272-1286). These paintings, recently studied, seem more authentic than we initially thought.

    Théodard bell tower: unique vestige of Carolingian cathedral

    Between the cathedral cloister and the courtyard of the old palace stands a square tower over 25 meters high. Built in 890 by Archbishop Théodard, it constitutes the only vestige of the Carolingian cathedral destroyed in the 13th century.

    Mireille Franc, conservation attaché to the city of Narbonne, describes her as "the mother of everything": "If the tower had not been devoted here, there would have been no primitive palaces and even less of Gothic cathedral". Weakened over the centuries, this tower has benefited from major catering works costing € 840,000 to preserve this exceptional witness from the Carolingian era in France.

    The unknown spaces of the new palace and the synods room

    Explore the new palace, the most recent part of this Narbbonnais architectural jewel, where spaces are as luxurious as unknown. Designed as a real fortress from the 14th century, this imposing building testifies to the considerable influence of the archbishops who resided there.

    The private apartments of the archbishops: luxury and power

    The apartments of the archbishops, fitted out in 1632, perfectly illustrate the splendor and refinement associated with ecclesiastical power. These sumptuous spaces, transformed into a museum since the 19th century, still retain their original sets. The large audience room impressed by its painted ceiling dating from 1634, while the king's room, fitted out the same year as apartments, also features a richly decorated ceiling.

    Even more remarkable, the large gallery of 1851 and the dining room of the 18th century archbishops reveal a decor of gypsums dedicated to nature and hunting. These ornaments testify not only to the refined taste of prelates, but also of their desire to display their high social status.

    The synodes room: place of historical decisions

    In the heart of the palace is the Synods room, built in the middle of the 14th century by the Archbishop Pierre de La Jugie. This solemn space, recognizable by its Gothic vaults, once welcomed the councils of important religious dignitaries. In particular, the Council of 1227 stood there to fight against Cathar heresy.

    The spacious configuration and carefully studied acoustics of this room facilitated deep theological debates. Indeed, the synods - religious assemblies held by the Pope, a term today largely replaced by that of Council - underlined the central role of Narbonne in medieval Christianity.

    Secret passages and stones stolen

    Behind the majestic facades hide narrow passages and stones stolen. These discreet arrangements were used to circulate staff and archbishops wishing to move discreetly. At the rear of the buildings are these hidden stairs and narrow reduced, some of which served as a reserve or accommodation for the porter.

    These secret passages testify to the complex organization of this palace-fortress, comparable to the Palais des Papes d'Avignon. Even today, exploring these unknown spaces from the new palace offers a fascinating immersion in the history of this unique monument.

    Conclusion

    The Narbonne Archbishop Palace undoubtedly represents one of the most fascinating architectural jewels in France. This millennial fortress, evolving from the Roman capitol to the episcopal residence, tells a story rich in mysteries and discoveries.

    Indeed, each stone of this monument testifies to a different era, from its Roman foundations to its Renaissance modifications. The hidden treasures, like the medieval painted ceiling and the forgotten frescoes of the Madeleine chapel, deserve in -depth exploration.

    Thus, to fully appreciate the grandeur of this palace-fortress and its eight centuries of history, we advise you to reserve your accommodation during your visit to Narbonne. Choose between La Villa Ambrosia (guest rooms in Narbonne) or La Maison Gustave (Bed & Breakfast urban in Narbonne).

    Finally, this exceptional monument, second largest residence of the Church Princes after the Palais des Papes d'Avignon, continues to fascinate visitors with its architectural secrets and its rich history. The stolen passages, the majestic rooms and the impressive keep still testify today to the power of the archbishops who have shaped this unique place.

    Faq

    What are the origins of the Narbonne archbishop palace?

    The Narbonne Archbishop Palace was built on the site of an old Roman capitol. Its initial construction dates back to the 12th century, evolving from a pagan temple to an episcopal residence over the centuries.

    What are the unique architectural characteristics of the palace?

    The palace includes an imposing dungeon 42 meters high built in the 14th century, Roman stones reused in its structure, and a mixture of architectural styles ranging from novel to Renaissance.

    What artistic treasures can we discover in the old palace?

    The old palace shelters a 12th century painted ceiling in the Madeleine room, medieval frescoes in the Madeleine chapel, and the Théodard bell tower, unique vestige of the Carolingian cathedral.

    What can we see in the private apartments of the archbishops?

    Private apartments, fitted out in the 17th century, have richly decorated painted ceilings, a large gallery decorated with gypsums, and a dining room from the 18th century with decorations dedicated to nature and hunting.

    What is the historical importance of the synods room?

    The synods room, built in the 14th century, was a gathering place for important religious councils. She notably welcomed a council in 1227 to fight against Cathar heresy, stressing the central role of Narbonne in medieval Christianity.

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